Review: Liverpool Empire Theatre - Puttin' On The Ritz


Press night for Puttin' On The Ritz saw a packed auditorium of music and dance lovers mesmerised by the extravaganza that unfolded before their eyes. With music from George Gershwin, Irving Berlin and Cole Porter, the show was packed to the brim with musical classics beautifully complemented by exceptional dancing of the ballroom and tap variety.

From the outset, the quality of performance was high. The show opened with the 1946 Irving Berlin classic "There's no business like show business". Beautiful ball gowns and graceful, effortless dance routines were on show throughout. Despite the energetic nature of some of the choreography, the vocals were not compromised and that is a testament to the ability and skill of the performers.

The audience were seamlessly taken on a journey back to the 1920's experiencing the magic of Fred Astaire. As if that wasn't enough, the Strictly come dancing stars made an appearance on stage in the form of Anya Garnis and Robin Windsor. The costumes were divine as was the choreography. Captivating and full of energy.

The stage was simple but effective. A sweeping staircase adorned with plenty of glitter and sparkle which changed appearance cleverly with different lighting.

Whilst I was not particularly overly enamoured with Lucy Van Gasse's performance of "Summertime" which I found the key too high and the lyrics inaudible, you cannot help but congratulate the whole cast for their musical delivery. Other singers included Hannah Grover, Adam Ellis, Simon Schofield and Ricky Rojas.

Other highlights for me were performances of the tango by Trent and Gordana and "Tea for two" by Robin and Anya. The performances were exquisite. The audience participation of legendary Nat King Cole's "Let there be love" was a nice touch and delighted the crowd.

Guest star Ray Quinn did not disappoint with his fancy footwork, charismatic delivery and strong vocal. His performance of  "Mr Bojangles" was exceptional. Similarly, Strictly come dancing's Robin Windsor and Anya Garnis were dazzling. The chemistry between them was astounding and the audience lapped up their stunning performances. Trent Whiddon and Gordana Grandosek were also en pointe and danced with every fibre of their bodies; with conviction and passion.

The audience on press night was more mature but this doesn't mean to say that younger viewers would not enjoy the show. There was a wealth of songs and dance pieces to appeal to all. Despite there being so many numbers, the audience did not lose interest as there was a wonderful balance of dancing and singing. The tap dancing in particular was phenomenal. The choreography certainly kept your attention.

Overall, this was an enjoyable show, it made me feel very nostalgic and took me back to my childhood, watching the old films with my mum.

Congratulations to David King (producer and director), Emma Rogers (choreographer) and Innis Robertson (Resident director) on a great show. It's a showstopper with glitz and glamour, a highly entertaining production.

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The show runs at The Empire until Saturday 10th October and tickets can be purchased here

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